Saturday, 31 October 2015

Personal Care

Model’s personal care

 

You need always make sure you take care of yourself. Especially in the run up to a shoot. You are your product. People are paying to shoot you, even if it is a TF shoot they are still giving their time for free and don’t forget the editing time afterwards. Not to mention all the other people that pay to see your images or look forward to seeing your new images. So take pride in yourself and your appearance.

 

Clean hair: Sounds obvious to most of us but I have actually heard of models turning up with dirty hair. Styled and ready to go unless you are having a hairstylist. If you are having a stylist they often don’t want your hair to be freshly washed but still not dirty but it is always best asking a stylist if they want you to do anything different with your hair. If you have coloured hair make sure you don’t have roots showing. Remember to condition thoroughly also, keep your hair trimmed and looked after. Your hair will take a lot of wear and tear from heat treatments, colouring and styling.

 

Private areas: If you are going au natural then make sure you are still trimmed and well kept. If you are shaved/waxed make sure this is kept regular as bristle is not attractive. It can be removed on Photoshop but prevention is always better. Remember to moisturise.

 

Fake tan: Now I know this is going to hit some of you hard but most companies designers and photographers do NOT like fake tan. It gets patchy easily, you can pretty much always shows on your fingers etc. It generally is not a natural colour. All of which gives the photographer more work which takes more time and effort. Fashion designers are also not keen on having fake tan rubbing off onto their test samples.

 

Nail polish: Make sure you either don’t have any nail polish on at all or even just a clear one. If you do have nail polish on make sure it is completely covering you nails, with no chips and all matching. Think carefully about the colour you choose though depending on what shoot you are doing.

 

Hung-over: Don’t stay up late the night before your shoot, remember your beauty sleep you don’t want to look tired in your images and you want to be full of energy for the shoot. Too much drink will also show being hung-over on a shoot is a no, no. I never go out drinking a night before a shoot.

 

Skincare: Your skin goes through a lot being a model, lots of shaving/waxing and wearing a lot of makeup. So take care of yourself so help prevent blemishes, wrinkles etc. Removing makeup thoroughly, moisturise, exfoliate, cleanse whatever suits your skin type best.
 
Thanks
 
Miss B

UK Tours


UK Tours

 

UK model tours means you travel to locations around the UK shooting. Sometimes this can be for a long weekend, week or even longer depending how many places you want to visit. Tours can be great earners if you do them right and you take all your outgoings into consideration. But they can also be good fun and great for networking. You will be able to work with photographers that you have wanted to work with or that have wanted to work with you. Giving you more exposure throughout the UK also and hopefully giving you some different images.

There is a lot to take in mind, below I have added a few things for you to think about and consider.

 

Plan: Firstly have you got anywhere in mind?

Do you know family or friends around the Country that you can stay with and kill two birds with one stone?

How will you get there?

Anyone interested: Once you have thought of some locations you would like to go. Put it out there ask who would be interested in working with you if you do travel to their neck of the woods. Ask the question on all the model sites and social networking sites. You can message photographers that have contacted you showing you an interest in shooting to see if they would be seriously interested.

Studio Days: Are also a great way to network. If you have a location in mind search for local studios and message them to see if they would be interested in hosting a model day. Send them a link to your port, mention any interest you already have and your rates. This way the studio will be able to advise if they think they can work with you at selling a day. They often have regular photographers which they can ask if they would be interested in working with you. Studio days are great as you and the studio will both normally advertise the day so you’re not looking at making bookings alone. You don’t have to worry about travelling to lots of different locations and getting lost. You get to work with lots of photographers. Safety is also something to consider.

Transport: How are you going to get to the locations?

If you are thinking of using public transport look at how easy the connections are and the costs involved.

If you are going to drive then remember to do the normal checks, oil, water, tyres, satnav, map etc.

 

Where to put your head down:

Friends/relatives: If you know of any relatives or friends that you can stay with than perfect not only do you have a free place to stay but it is also a great safety feature. They will know where you’re going, how long you will be there and what time to expect you back, they might also know the area well and would be able to advise on easy places to get to or good parking etc.

Hotel/B&B: There are lots of websites online that offer deals, laterooms.com or lastminute.com, trivago.com to name a few. Do your research. Remember to check how far they are from the locations you will be working and account that into your days’ work. Do they offer food? Wifi? Hairdryer? Near any shops? Also as I can’t move without my tea in the morning I take a little tea bag with tea bags, sugar and a pint of milk so I can have a great start to the day, nothing worse than a horrible tea and the little milk cartons.

Photographers: You need to think very carefully about this. If you have worked with the photographer before and you feel safe and happy then it’s totally your choice. If you’re not sure you can always message models which have worked and stayed there to see how their experience was. Just be safe and if you feel uneasy or awkward then give it a miss.

Models: This can be  great option and worth thinking about if you know any models. You can also return the favour for them. Models will often know about the local studios and photographers, the good and the bad and will be able to advise.

Plan, Plan, Plan: Make sure when you are taking booking you get:

The full address.

Contact phone numbers mobile and studio number.

Contact email.

Also plan how far are you from the train/bus station if using public transport.

If driving, is their parking? How easy is it to find and get to?

How far is the location from the place your staying.

Make sure when you’re working out your trip you take into account all your outgoing and take them into account. When you do get money keep it safe, you can quickly have a lot of cash on you, lots of bags and a lot to think about.

When: Think about when you are going to do this? Weekends and evenings are usually the most popular. Holidays can often be best for models but not for bookings as photographers are often spending this time with family. If you are holding a studio day asking the studio what they think is always a good idea as they know their location and their local/ regular photographers.

 

Advertise: If you want bookings people have to know, so advertising your trip is a must. Post castings everywhere you can, there are plenty of great model sites that you can do this easily. But also don’t forget social networking sites such as Twitter and Facebook. Include where your going, What you will be doing, a link to your port, how much etc.

 

Luggage: I always take a few bags with me, it makes things so much more simpler than trying to root to the bottom of a huge bag with clothes getting creased. Think about what levels you shoot so what you will need to take for shoots and if any photographers have asked for anything specific. Also remember items for getting ready so toiletries, straighteners etc. Items for when you’re not working so comfy clothes, pj’s.

Flat shoes, high heels etc. Laptop, chargers, makeup, shampoo, razor.

Pack in the way that suits you best, for e.g

1.     Personal bag with none modelling clothes, pj’s etc.

2.     Lingerie and accessories.

3.     Fashion outfits and shoes.

Taking care of yourself: Remember to stop and eat! You will need the energy and you don’t want to get ill because you haven’t eaten. Take food and snacks so that you’re not just living off services food which will be no good for long lasting energy. Work in time out of your day to rest eve if it is a relaxing bath at the end of the day to rejuvenate and plan ready for the next day.

 

Spending: Keep track of your spending. If your self-employed you can get tax back on many things including fuel so it’s worth keeping receipts and keeping track of everything.

 

Business cards: If you have not got any business cards, then get some. Hand them out to each of the photographers you work with and each of the studios you attend. Make sure it has a clear picture of you on it and contact information. That way if they would like to re-book, leave you a reference or recommend you to a friend it is easily done.

 

References: Remember each person you have worked with and each studio if need be write down at the end of each day about them and your experience in a diary so you can clearly remember when you get home. When you arrive home it’s a nice touch to message everyone and thank them and also leave a reference.

Thank You

Vicky

Safety tips

Safety tips for models

 

Firstly I would like to start by saying this is not a hate campaign against photographers but just some basic safety tips for models, most of which should be basic safety tips for anyone.

I believe 99% of photographers are genuine and have good intentions but as for the 1% you have to be careful.

Below are a few things you should consider, most I am sure you have already thought about but for starting out models it is worth thinking carefully about.

 

·        References if you get contacted by a photographer or you see a photographers work you like take a look at his/her references as many as you can, you can also contact privately a few of the models to ask them about their experience most models won’t mind this at all and will be very honest with you. If he doesn’t have any references this does not mean it is always something ‘dodgy’ ask if they are on any other sites which has available references. They should still be able to name models they have worked with which you can contact and you can also ask trusted models and photographers if they have heard of them.

 

·        You should always get contact details, name, contact number, email. If you are working at a studio the studios name, address, contact number.

 

 

·        Let someone you trust know where you will be going and how long you will be there. Text them when you arrive to say you got there safe, the photographer has met you and all is ok and text them when you are leaving also.

 

·        Chaperone's can sometimes be a touchy subject. Personally I have never taken one and I am of the feeling if you are having such big doubts that should tell you more, I am a believer in trusting your feelings. But I have also heard of models wanting to take a chaperon (each to their own, whatever makes you feel happy) and the photographer has refused. I understand the reasoning behind most photographers refusing but straight away this is going to make you feel un-easy so it might be easier to just give it a miss. An alternative can sometimes be to take a chaperon with you but while you are shooting they wait in another room so close at hand but not distracting. Either way you must discuss this with the photographer before the shoot.

 

·        Going to a photographers home studio?? This can be anything from a plush apartment with fab facilities to a dungy dirty bedsit with a sofa in the corner. Again references, ask for images, look on google street maps. If in doubt take a chaperon or say you would rather shoot in a studio.

 

·        Where are they from? If a photographer contacts you on a social networking site such a FB/Twitter I would always ask them for a link to their website if they have one and a model site if they are on one. That way you can see their work and also their references. If they don’t have any of the above I would be dubious.

 

·        Make sure you have your phone with you or close at hand at all times and that it has plenty of charge and credit.

 

·        If the photographer would like you to sign a model release form where possible ask them to send you a copy before the shoot date so you can read it through if this is not possible make sure to read the release form carefully especially if shooting nude. But remember if you are working with the agreement of TF they can use the images also and the photographer will hold the copy write.

 

·        Don’t drink alcohol during a shoot not even to “loosen up”.

 

·        If a photographer claims to be from a big company, agency or magazine etc you can easily find out if this is true by googling the company and phoning their direct/office number they will soon tell you if the person is legit.

 

·        As for the same with many things in life. If it seems too good to be true, it probably is.

 

·        If you are under the age of 18 you should have a trusted adult with you during the shoot. The photographer should not be asking anyone under the age of 18 to shoot anything that can be considered sexual, or of a sexual nature.

 

·        Before the shoot you should both have discussed the levels and genres you will be shooting on the day and there should be no confusion. If the photographer tries to push your levels, makes you feel un-comfortable, un-safe, awkward or anything don’t be afraid to say NO! No matter how ‘well known’ they think/say they are. If a photographer does say or act inappropriately in any way towards you LEAVE! Do not carry on with the shoot.

 

·        You should not pay an agency to be on their books. If they think you have what they are looking for they believe they will be making money from you. Good agencies understand they have to put time and money into new models to get back what they put in. Agencies will also need a few basic shots not dozens. Asking models that you admire what agency they are with and who they would recommend would be good and also look at google where there are lots of pages of recommend and not recommend agencies.

 

·        Be safe in your surroundings. There may be time you will be asked to shoot in abandoned buildings, climb trees or walls. Maybe even lay in a lake of freezing water, pose with animals and many more things. Think about your safety, where your standing, the risks, the law, keeping warm. Remember if you are looking to model as a job if you get ill or hurt that could mean a week or more of not being able to work, losing money through one shoot.

 

These are just a few points that you should consider all may not work for you and others that are not here may. The main point is if you don’t feel safe then don’t do it. There are so many good and lovely, professional photographers out there, there is no need to work with the ones that are not. At the same time always remember to treat people as you would want to be treated acting professional at all times.

Vicky
xx

Paying for a photographer

Paying for a photographer

 

This may seem like a hard pill to swallow especially if you have been doing lots of TF shoots.  Paying for a photographer isn’t always necessary but it often is.

Modelling is your business and the same as with any business you have to put money in to get money. You pay for makeup, to get your hair done, new clothes/lingerie, shoes etc. For shoots so it only makes sense that you also put some money into creating and receiving some amazing images.
 

What genre of modelling do you do or want to do? Look at photographers that charge for photo shoots in that genre. Are their images a step up or a league above the images you have in your port? If the answer is yes you should consider paying for some images.

You have to remember you get what you pay for, if you want ok images work with ok photographers. If you want Amazing images you have to work with great photographers and this normally means paying.

If you pay and work with a great photographer it will in turn bring you more work, work of a higher level with better photographers.

You can then remove the images in your port which are not up to scratch and keep the new images which really show you off at your best.

Not only will you receive great images but a good photographer will often be able to also advise you on styling, your portfolio and posing plus more,  giving you invaluable advice which is often over looked.

You get to understand how a ‘real’ shoot works.

Basically if you want a Kick-arse portfolio you need to work with amazing photographers and his may mean paying.

Thanks

Vicky
xx

Levels & Styles

Modelling Levels& styles

 

Levels: This can be a tricky one as there are so many and so many different understandings of each of them. Firstly you need to understand the meaning of each of them and then decide on what levels You are happy to do.

When arranging shoots make sure you both agree beforehand the levels you will be working to and you both have the same understanding of them. You should always know the levels you will be working to before you arrive for the shoot that way it helps to avoid any confusion on either side.

Anyone that tries to push your levels or bully you into working to levels you are not happy with should be avoided.

If you are not sure check recommendations and even message models that have worked with the photographer previously, but I would say if you are having doubts or having bad feelings about the shoot or the photographer then don’t do it.

If you do decide that you want to try working to a higher level than work with a trusted photographer that you have worked with before. Or someone that has  good reputation, references and is known in that field.

 

Styles:

There are many modelling styles a good thing to do is to be honest with yourself know what your strengths and weaknesses are and pursue the style that will work for you. I meet many girls who like the sound or the idea of a particular style but they don’t fit into what that style needs/wants. We are all different shapes, sizes, ages, looks etc and it is just looking at that and your strengths.

 

Commercial: Commercial advertising is one of the biggest areas of modelling and includes TV adverts, poster, magazine and internet campaigns.  Most commercial agencies have less restrictions then fashion agencies. Not only interested in you having the height but if you have a great look you still may be considered. You will have to be prepared to go to many castings and you will have to travel all over the country.  It can mean long and demanding days, but it pays well and is great exposure, leading to more work.

 

 Petite: Petite models are usually around 5ft 2” to 5ft 7” and sizes 6 to 10 and in good proportion. Girls and women who undertake this work usually have a second income or work in promotions as well as there is not a high demand, although a few fashion chains now offer petite ranges, so the opportunities for petite modelling are increasing all the time.

 

Plus sized: This is probably one of the fastest growing modelling sectors.  Most Plus size models are a size 12-16 but there is also work for models sized 18 and above.  Height restrictions are still generally the same as fashion models, but there are more opportunities in TV extras work, commercial and catalogue modelling.

 

 

Mature: Being in your thirties, fifties or even over sixty doesn’t mean you can’t be a model - there are many products that specifically need mature models to advertise them.  Take TV adverts and women’s magazines for example. Many agencies are more relaxed about height restrictions within this genre than mainstream fashion requirements.

 

 Parts: The most regular body parts required are hair, hands, feet and legs – but often teeth, lips, torsos and eyes are required too.  If you have a body part that people often comment on as your best feature, or something that stands out, then it’s worth thinking about making body parts a type of modelling you are willing to do.  Work is usually part time and you’ll have to be sure to take daily care of your part

 

 Promotions:  Promotion models need to have a friendly, personable, helpful personality.  Promotions can be fun and ranges from handing out free advertising brochures at motor shows, to greeting VIP guests at big nightclub opening parties or wearing a company logo “T” shirt. It tends to be well paid, means meeting a lot of people and being at events.  Confidence and friendliness is key.

 

Fashion: Fashion modelling is very competitive at agency standards. Most fashion agencies are based in London, although many have bases in the Midlands and South West too (Birmingham and Bristol).  Work often involves both catwalk and photographic/magazine fashion campaigns.  Female models must be at least 5’8 and a size 8-10, and male models 5’11.  Agencies tend to be very strict about this as designers work to these sizes as ‘standard’.  If models are signed with a top fashion agency, this will be where they earn most of their income. This area of modelling is very competitive, requires a high stamina and resilience to cope with the demands of the job. Days can be very long, but work is very highly paid. Agencies will often provide the training required for catwalk, castings and creating a portfolio.



 

  In the internet world, being a fashion model is more low key, and generally means casual fashion, or modelling clothed.  Most outfits will be your own and you will be required to provide outfits for shoots most of the time.  A photographer may ask you to bring certain styles or types of outfits, so make sure you are able to provide these or let them know if you can’t. You’ll find below a list of clothing which is useful to bring to shoots.

 

 

 Alternative Fashion: Alternative fashion falls into a slightly different category.  Alternative fashion is more gothic, punk, grunge styles.  Normally you will have the whole Alternative look, piercings or tattoos etc.  There is a growing demand for genuine alternative models, and is less strict about height, age, size or specific looks.  There are hardly any fashion agencies that take Alternative models onto their books, but there are a handful of specifically alternative agencies that aim to find work for alternative models in Alt scenes and the mainstream/commercial industries.

 





 Beauty: It’s a head shot but normally with a team on board to do your makeup and hair. Beauty can often merge with commercial. A lot of photographers like beauty shoots as it can show off their retouching skills.

 

Catwalk:  Catwalk or runway modelling requires a different set of skills. The ability to "walk", turn and sometimes dance, although for complicated routines, dancers are usually booked to "pad out" the models. The physical requirements for catwalk modelling is fairly specific - tall, slim with striking looks.

 

 

Lingerie: Lingerie modelling is a commercial style, normally the sort of thing you see in underwear catalogues, magazines.  Lingerie models are often slightly more curvy then fashion models giving more shape to the lingerie.

 

Fitness: Fitness modelling requires a well-toned figure and often a degree of athletic proficiency. Fitness models appear in ads for health and fitness products, athletic companies, and trade magazines such as Runner’s World or Shape.

 

Lingerie/Boudoir: This may be a little more sensual, but still in nothing less than underwear.  Generally this uses a lower light to create more atmosphere and will be shot in a bedroom set or similar but not a studio. You don’t often look the camera but more gaze romantically out of a window or look softly at yourself. When you do look at the camera it will be more subtle, soft, shy expressions.

 

 

18+ ONLY!

Glamour: Glamour modelling includes lingerie and topless work, the type seen in lads mags, many calendars and Page 3.  It aims to be sexy.  There are no real restrictions with height or size, but agencies do prefer Glamour models to have bigger breasts.  You need to be 18 years old to be a glamour model (even if you’re in lingerie and not topless).

 

 Topless: This require you to be topless, with breasts and nipples on show.  Whether or not you choose to take a glamour approach to being topless or a more artistic approach is entirely your choice. 

 

 Fashion Nude: This means you will be at least partly nude. You will be using clothes or jewellery and exposing parts of your body.  This is not implied. Make sure you discuss with the photographer the amount of nudity involved and what you are happy with.

 

 

Implied Nude: This style requires you to be nude at the shoot, but pose in order to cover up breasts and between your legs. You will be naked but the photo won’t show anything ‘rude’. The photographer however will see you nude as you move from pose to pose.

 

 

Art Nude: This often includes ‘full frontal nude’. You will be naked; the photographer will see your body and take photos of it. Art nude isn’t necessarily sexy; it’s about the light on your body, and creating interesting shapes and lines for an artistic image. Often there is no direct eye contact between the model and the camera.

 

Erotic: Is normally nude but not always. It will be very sexy and will look like you are pleasuring yourself but this is just an act, you do not actually preform the act but just pretend for the shots. The shots are normally not brightly lit and often black and white. You have more eye contact here then you would with art nude and more of a sexy look to camera.

 

Voyeuristic: Is normally either boudoir or erotic in style with the photographer angling himself behind doors, looking through windows or mirrors etc giving the feeling to the viewer that the model is being spied upon.

 

UK mag: This is explicit open leg work.  The photographer will take photos of you with legs open, showing your genitalia clearly. Some consider Uk mag to include holding yourself open with hands or fingers – exactly what you’re happy with should be discussed with the photographer.

 

US Mag: This is explicit open leg while holding yourself open.  Photos will clearly show your genitalia.

 

 Continental: This involves open leg and insertions (either fingers or toys).

 

G/G – This is girl girl work. You will be posing with another female model in a sexy way. This may include kissing and other ‘softer’ levels of work.

 

B/G – This is boy girl work. You will be posing with a male model in a sexy way. This may include kissing and other ‘softer’ levels of work.

 

Hardcore g/g or b/g – This is much less subtle. Sexual acts are performed.

 

Video work – This isn’t just ‘stills’ or photos now, you will be being filmed.


I know of some models that work to fashion, but have lingerie and even nude images in their portfolio. The argument for this is that the photographer they shot those levels with they felt happy with. I would say that's great and if your thinking of trying a "higher" level then to do this but I do not agree with adding them to your portfolio. For a commercial job or private use if a different matter but for me your portfolio is like your shop window.
If you are displaying cakes then when the person goes in you only provide shoes, no matter how nice the shoes maybe they are still not cakes.

                                                                                 Thanks
                                                                                   Vicky

Starting your Portfolio

Starting a portfolio

 

Your business is you. To get booking you have to take care of your ‘shop front’ show yourself off to your best ability. Your portfolio is one of you biggest marketing tools and this is often the first impression people will receive of you as a model. Therefore you need your portfolio to be stand out and look its best.

 

A few tips on having a good portfolio.

 

·        Your portfolio needs to be concise with relevant specifics.

 

·        The client will look at your port and what to be able to find out easily, where you are? Do you travel? Do your charge or are you happy doing TF? What levels/genres do you work to? Are you reliable? How hard do you work? And of course have you got the look they are wanting.

 

·        Be honest about your appearance, height, weight, measurements etc. If you have any scars, tattoos, piercings, implants etc. This does not mean you will not get work but it does mean clients will understand what they are going to be working with before the day of the shoot.



 

·        What levels/genres do you cover? Have images that show this. So if you work to topless then have some topless images in your portfolio. If you say you do beauty modelling then again you need a beauty image in your portfolio to show this.

 

·        Understand your strengths and weaknesses. Work your strengths and show them off. For e.g. if you have an amazing body, get some great figure shots. Beautiful face, get some great beauty shots.






 

·        Have a mixture of headshots, full body, ¾ shots.

 

·        Show how versatile you can be. Get some different ‘looks’ in your portfolio. Working with some good make-up artists, hairstylist and with some unusual clothes can help with this. Also look through magazines and at other models work to get ideas on different poses and facial expressions so you are not looking the same in all your images.

 
 
 


·        Work with some good photographers. This may mean you have to pay for their time, but his will give you a boost to your portfolio if you choose wisely. (More on paying a photographer on another blog).

 

·        You can also get some model tuition. This can help you with styling, facial expressions, posing and more. (more on this in another blog).

 

·        You don’t need lots of the ‘same’ images. Meaning you don’t need ten headshots. Quality is better than quantity. One or two amazing headshots is better than ten average ones.

 



 


·        Remember to update your port. As you get new images be critical, which can be hard when you get new images and want to show them off. Do they add something new or better to your portfolio? If so do you need to remove an image that now is not that good? As a model you should always be improving, therefore so should your images and your port.

 

·        Why should a client choose you over anyone else? You need to be able to show why a photographer would book you rather than another model, even a cheaper model. Show off that you are versatile, you work hard, professional, reliable, self-aware model with great images.


These are my thoughts and ideas, they may not work for all of you but they can be a good place to start :) If you have any questions please feel free to message me and I will try my best to help in anyway I can.


Thanks